Tuesday, 5 October 2010

[R366.Ebook] Get Free Ebook Hit Me, Fred: Recollections of a Sideman, by Fred Wesley

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Hit Me, Fred: Recollections of a Sideman, by Fred Wesley

Hit Me, Fred: Recollections of a Sideman, by Fred Wesley



Hit Me, Fred: Recollections of a Sideman, by Fred Wesley

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Hit Me, Fred: Recollections of a Sideman, by Fred Wesley

With Hit Me, Fred, sensational sideman Fred Wesley Jr. moves front and center to tell his life story. A legendary funk, soul, and jazz musician, Wesley is best known for his work in the late sixties and early seventies with James Brown and as the leader of Brown’s band, Fred Wesley and the JB’s. Having been the band’s music director, arranger, trombone player, and frequent composer, Wesley is one of the original architects of funk music. He describes what it was like working for the Godfather of Soul, revealing the struggle and sometimes stringent discipline behind Brown’s tight, raucous tunes. After leaving Brown and the JB’s, Wesley arranged the horn sections for Parliament, Funkadelic, and Bootsy’s Rubber Band, and led Fred Wesley and the Horny Horns. Adding his signature horn arrangements to the P-Funk mix, Wesley made funk music even funkier.
Wesley’s distinctive sound reverberates through rap and hip-hop music today. In Hit Me, Fred, he recalls the many musicians whose influence he absorbed, beginning with his grandmother and father—both music teachers—and including mentors in his southern Alabama hometown and members of the Army band. In addition to the skills he developed working with James Brown, George Clinton, Bootsy Collins, and the many talented musicians in their milieu, Wesley describes the evolution of his trombone playing through stints with the Ike and Tina Turner Revue, Hank Ballard, and Count Basie’s band. He also recounts his education in the music business, particularly through his work in Los Angeles recording sessions.
Wesley is a virtuoso storyteller, whether he's describing the electric rush of performances when the whole band is in the groove, the difficulties of trying to make a living as a rhythm and blues musician, or the frustrations often felt by sidemen. Hit Me, Fred is Wesley’s story of music-making in all its grit and glory.

  • Sales Rank: #1723986 in Books
  • Published on: 2005-04-21
  • Released on: 2005-04-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .86" w x 6.13" l, 1.29 pounds
  • Binding: Paperback
  • 344 pages

From Library Journal
Before hip-hop, there was soul and funk, which gave rise to such highly influential bands and popular stars as Ike and Tina Turner, George Clinton, Parliament, Funkadelic, and, of course, James Brown. Trombonist Wesley has been associated with all of these and more, serving as Brown's bandleader for many years and through his personal sound, compositions, and arrangements contributing immeasurably to the fabric of American popular music. Wesley has written a thoroughly engaging memoir of his life in music, using frank, opinionated, sometimes colorful language that reads as if he were sitting across the room reminiscing. Readers will be fascinated by his insider descriptions of working with the volatile Brown and by his vivid descriptions of the vicissitudes of life as a professional musician; musicians at all levels will find his comments on life on the road particularly compelling. Chapters on his tenure with the Count Basie Orchestra, his struggles with the L.A. music scene, and playing jazz in Denver after brother Ron helped him overcome a cocaine habit round out the picture of Wesley's musicianship and humanity without lapsing into "behind the music" cliche. Recommended for all collections, a real gem for music collections. Mark Woodhouse, Elmira Coll. Lib., NY
Copyright 2002 Cahners Business Information, Inc.

Review
“As passionately crafted as one of his solos, Hit Me, Fred becomes a shout-out to all sidemen who play their hearts out--just outside the spotlight. As a musician, Wesley could always capture the feverish moment. Now, as a storyteller, he has revealed yet another way to take us higher.” (Boston Globe)

“[A] remarkable autobiography. . . . This candid and hilarious account of working alongside James Brown, Parliament/Funkadelic, and on his own, should solidify [Wesley’s] reputation as much as the music he created.” (Down Beat)

"In his autobiography Hit Me, Fred, Mr. Wesley talks about dancing around the continent-size ego of James Brown. He juxtaposes the courtliness of the South against the hardscrabble desperation of poverty, mentioning the hideous conditions that created Brown though understanding that nothing could explain his boss’s monstrous behavior." (Elvis Mitchell The New York Times)

“A MUST read for musicians and people who want to know the truth about being on the road. Fred Wesley is hands down one of the greatest.” (Christian McBride)

“This book is straight up! Fred Wesley, he’ll tell you like it is, even if your feelings get hurt, but coming from Fred, for some reason it makes you wanna do better. The book is the bomb!!! Stories are stories but this is real life. Write on, Fred.” (Bootsy Collins)

“Very informative reading! I’m glad and lucky to be part of this legacy. We took it to the bridge. Fred, thanks for the memories.” (Maceo Parker)

"[Fred Wesley is] one of the most influential instrumentalist/composer/arrangers in the annals of R&B, soul-jazz, and hip-hop . . . [and] one of the most sampled musicians in the world today." (Timothy White Billboard)

"[T]he book reads easily—it sounds like Fred's telling you all this over a plate of rice 'n' ribs. . . . When James [Brown] and George [Clinton] are long gone, the music they brought to life between 1967 and 1977 will still be tearing the roof off the sucker—and Fred Wesley was an indispensable part of that revolution." (Dan Warburton Signal to Noise)

From the Publisher
"This book is straight up! Fred Wesley, he'll tell you like it is, even if your feelings get hurt, but coming from Fred, for some reason it makes you wanna do better. The book is the bomb!!! Stories are stories but this is real life. Write on, Fred."—Bootsy Collins

"Very informative reading! I'm glad and lucky to be part of this legacy. We took it to the bridge. Fred, thanks for the memories."—Maceo Parker, saxophonist

"A MUST read for musicians and people who want to know the truth about being on the road. Fred Wesley is hands down one of the greatest."—Christian McBride, jazz bassist

"Hit Me, Fred is very enjoyable and funny. I thoroughly enjoyed it."—Freddy Cole, pianist and singer

"A soulful memoir abundant with all the warm humor, joyous passion, and insightful irony that flavors his music. Fred Wesley is funk's first-string quarterback and an American treasure."—Allan Leeds, tour manager for James Brown and the J.B.'s, 1969-74

Most helpful customer reviews

2 of 2 people found the following review helpful.
From "Misty" to Funky
By Phil Silverman
Not that expected otherwise (see Review title)...just that so many JB-related books are mostly publicity vehicles and covering the same old ground. What made JB tick? Nothing. What is "eeeeahhhh"? Nothing.

I still don't understand "eeeeahhhh" after reading this book...but I now have the most balanced and descriptive tome on b-Soul-Funk-Super Funk, by the Master of the Super Heavy Funk. No Super Heavy Funk without Trombonist Wesley. And big question: would James Brown have transformed into a vaunted *Album* Artist without Mr. Wesley?

The James Brown Musical family reunites here for a james Brown House Party...and all the dysfuction that any family has.

Would have loved some penetrating, personal perspective on the many 45s and albums in Fred was heavily involved. (Though he goes deep on the highly successful movie soundtracks...which *he* basically produced, getting himself fired). We are treated to a fairly extensive Wesley discography. A nice add-on would have been, in this age of star-ratings, said values ascribed to the many titles which hit the bins and now the "web".

Haven't finished this Master Course on Modern Music..and on a "sideman" who stood up front with a King. So great, in addition, that Fred wrote this book with no "help", in the form of "as told to", or "with" [so and so].

Maybe Fred had enough "help" in his career!

Here we have the penultimate "sideman" taking up the pen and delivering anutha mutha. But the opinionated artist-author does not explain how James Brown, the Super Bad Sex Machine, is a...."sissy"? What were all those audience screams about? :)

But later for that. Buy this book. Read this book. Pass The Peas.

[Book comes with a well-produced CD of 12 cuts of Wesley, live and studio].

0 of 0 people found the following review helpful.
Riveting! !
By Amazon Customer
This book was everything I thought it would be and more! Sometimes I had to put it side and ROAR with laughter at some of the funny anecdotes and things that go on during road life as a musician. It brought back pleasant and horrid memories of my own life on the road. Mr. Brown was quite a character!

1 of 1 people found the following review helpful.
recollections on hit me, fred!
By khaled
I was initially bored with the first chapter or two detailing Fred's life... then when I read the entire book, it made more sense to me. His early life was setting the stage for an amazing journey (literally and figuratively). Fred has an amazing memory. He was able to recall events from 50 years ago like they happened last week. I purchased the book mostly because I was interested in getting some insight on what made JB such a tremendous performer. He shed some light on that. Funky Fred pulls no punches!

See all 22 customer reviews...

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